I get lots of my inspiration for articles and blogs from things my songwriting coaching clients bring up in our sessions. Last week I had a writer say they couldn’t afford to pursue their songwriting because they simply didn’t have the funds. He let me know he was giving up . Period.
I’ve come to believe in my 20-plus years in music that by setting reasonable expectations and doing the work, it becomes much harder to be fooled or discouraged by some of the pervasive myths that exist around songwriting success.
My buddy Robert Daniels, did a post yesterday on the saying that Nashville is a "ten year town." Well, that is a well worn phase and while some people do go a little faster, if you investigate the history of the town and the people in it, you find it holds true more times than not.
Writing is not a craft, it's the force of inner expression in the same way a painter pours out their vision through colors and brush,.there is no manual for expression.
It would be less dignified of me ever to skirt the issue of Waylon Jennings,.
Waylon did not pussy foot around like someone who didn't think he was a blessed boy,.
When you think about “technique” or technical playing, you probably think of what musicians call “chops”. It’s a general term but it’s almost always used to refer to difficult or physically challenging music.
I have seen a few posts on Facebook and other places that ask "Why do people in Nashville all play for free? Don't they know that you should get paid for what you do?"
The answer is a bit complicated, but for those of you who have wondered that, here it is:
Billy Lee and Stephen Clark,
I'll tell you something interesting that relates to this. You both reference my song "TABLES AND CHAIRS." That song has been pretty good to me, a lot of people identify me with it, and request it often.
There is something interesting I see and hear a lot on Social networking, especially places like Facebook. and YOU TUBE. It is the endless amount of people that put camera phone videos of themselves doing COVER songs.